Short Resum\u00e9<\/p><\/div><\/div><\/div><\/div><\/div>
SERIES OF WORK: <\/strong>(some series overlap in years)<\/p>\n 2006-2026 Reflections <\/strong>handwoven linen<\/p>\n sub-series:<\/p>\n Soundings <\/em>2019-2022<\/p>\n Chromatic Meditations <\/em>2017-2019<\/p>\n Pulse <\/em>2016-2017<\/p>\n Book of Hours <\/em>2014-2015<\/p>\n Illuminations <\/em>2012-2013<\/p>\n East\/Pacific\/West <\/em>2010-2011<\/p>\n The Narrative of Cabeza de Vaca <\/em>2008-2009<\/p>\n Land and the Sacred <\/em>2006-2007<\/p>\n 2006-2026 Meditations <\/strong>no more than 7″ in any direction, handwoven painted paper strips<\/p>\n 2000-2005 Prayer <\/strong>8′ high, handwoven linen<\/p>\n 1996-2000 Reverence <\/strong>coiled threads with rock<\/p>\n 1984-1995 Celebration <\/strong>handwoven linen, cotton, and metallic thread<\/p>\n 1979-1986 Ryoan-ji <\/strong>coiled constructions, waxed cotton on rebar, rod, and wood dowels<\/p>\n 1976-1980 Cycle <\/strong>coiled raffia sculptures<\/p>\n 1973-1975 Fecund <\/strong>7′-12′ sculptures, finger-crocheted sisal, coir, seagrass etc.<\/p>\n 2024 Claire Campbell Park: Still Point in the Motion of Being<\/i>, Goya Contemporary, Baltimore, Maryland<\/span><\/p>\n 2019 Claire Campbell Park: <\/em>Chromatic Meditations<\/i><\/span>, <\/em>Goya Contemporary, Baltimore, Maryland<\/span><\/p>\n 2018 Claire Campbell Park and Josh Goldberg, <\/em>Davis Dominguez Gallery, Tucson, Arizona<\/p>\n 2016 Claire Campbell Park, Barbara Jo, Kathryn Polk, <\/em>Davis Dominguez Gallery, Tucson, Arizona<\/p>\n 2013 Focus: Five Women, <\/em>Davis Dominguez Gallery, Tucson, Arizona<\/p>\n 2012 East\/Pacific\/West: Confluence <\/em>Mary Babcock, Claire Campbell Park, 2008* <\/span>Land Art and the Sacred: Three Perspectives<\/em>, DY Begay, <\/span>Gabriella Possum Nungurrayi, and Claire Campbell Park, Bernal Gallery, Tucson, Arizona<\/span><\/p>\n 2004 Claire Campbell Park: Weavings, <\/em>Obsidian Gallery, Tucson, Arizona<\/p>\n 2002 Claire Campbell Park & Ilze Aviks, <\/em>Yavapai College Gallery, Prescott, Arizona<\/p>\n 2000 Nancy Hoskins & Claire Campbell Park, <\/em>Gallery at Wellage & Buxton, Cincinnati, Ohio<\/p>\n 1999 Gems ’99, <\/em>Obsidian Gallery, Tucson, Arizona<\/p>\n 1990 Claire Campbell Park, <\/em>Obsidian Gallery, Tucson, Arizona<\/p>\n 1985 Claire Campbell Park & Paul Stein, <\/em>Art Network, Tucson, Arizona<\/p>\n 1980* Arizona Crafts Award Exhibit, <\/em>Tucson Museum of Art, Tucson, Arizona<\/p>\n 1980 Claire Campbell Park, <\/em>The Clay and Fiber Gallery, Taos, New Mexico<\/p>\n 1978* Emerging Artists<\/em>, <\/em>MFA Exhibit, Wight Gallery, University of California, Los Angeles, California<\/p>\n 1976 MA Exhibit, Wight Gallery, University of California, Los Angeles, California<\/p>\n 2025 IFPDA Print Fair with Goya Contemporary, New York, New York<\/p>\n 2025 Thread Lines, Goya Contemporary, Baltimore, Maryland<\/p>\n 2024 Arizona Biennial<\/i>, Tucson Museum of Art, Tucson, Arizona<\/p>\n 2023 EXPO Chicago<\/i> with Goya Contemporary, Chicago, Illinois<\/p>\n 2020 Picturing 2020: A Community Reflects, <\/em>University of Arizona Museum of Art, Tucson, Arizona<\/p>\n 2020 Longevity, <\/em>Reyes Contemporary Art, Phoenix, Arizona<\/p>\n 2019 IFPDA Fine Art Print Fair,<\/em> Goya Contemporary, New York, New York<\/p>\n 2019 & 2018 Art Miami with Goya Contemporary, Miami, Florida<\/p>\n 2004-2019 Annual Small Works Invitational, <\/em>Davis Dominguez Gallery, Tucson, Arizona<\/p>\n 2016 Gebert Contemporary, Scottsdale, Arizona<\/p>\n 2015 String Theory: Contemporary Art and the Fiber Legacy, <\/em>Tucson Museum of Art, Arizona<\/p>\n 2012 Red: a Juried Invitational, <\/em>Temple Gallery\/ Etherton Gallery, Tucson, Arizona<\/p>\n 2007 Graphicas Gallery, Tucson, Arizona<\/p>\n 2001 Telos International Postcard Competition, <\/em>second place award, exhibited in Australia, Japan, the Netherlands and the web; sponsored by Telos Fine Art Publishing, <\/span>Winchester, England<\/span><\/p>\n 2000* Made in California 1900-2000: Art, Image, and Identity, <\/em>Los Angeles County Museum of Art, Los Angeles, California<\/span><\/p>\n 1999 Collection of the Szombathely Kunsthalle, <\/em>Nyiregyhaza, Hungary<\/p>\n 1998* 12th International Biennial of Miniature Textiles, <\/em>Szombathelyi K\u00e9pt\u00e1r, Hungary<\/p>\n 1997* New Baskets: Expanding The Concept, <\/em>Craft Alliance, St. Louis, Missouri<\/p>\n 1995 Exploring Along the Outer Edges: Sculptural Basketry, <\/em>Craft Alliance, St.Louis, Missouri<\/p>\n 1993* State of the Art : Contemporary Fiber, <\/em>The Loveland Museum, Loveland, Colorado<\/p>\n 1992 Arizona Artists, <\/em>Tucson Museum of Art, Tucson, Arizona<\/p>\n 1991 Contemporary Arizona Textiles I, <\/em>Nelson Fine Arts Center, Arizona State University, Tempe, AZ<\/p>\n 1991*Fiber National ’91, <\/em>Adams Art Gallery, Dunkirk, New York<\/p>\n 1989 Diverse Directions, <\/em>Nelson Fine Arts Center, Arizona State University, Tempe, Arizona<\/p>\n 1988* Spotlight88: Southeast\/SouthwestCrafts, <\/em>Moody Gallery, University of Alabama, Tuscaloosa, AL<\/p>\n 1988-90 Arizona Tapestry Today, <\/em>This exhibition originated at the Coconino Center for the Arts in Flagstaff, Arizona and traveled to sites throughout Arizona for two <\/span>years. It also traveled to the Las Vegas Art Center.<\/span><\/p>\n 1987* International Textile Competition ’87, <\/em>Kyoto, Japan<\/p>\n 1987* Paper\/Fiber X <\/em>The Arts Center, Iowa City, Iowa<\/p>\n 1985* Fiber Structure National IV, <\/em>Downey Museum of Art, Downey, California<\/p>\n 1984 Happy Birthday Arizona, <\/em>Tucson Museum of Art, Tucson, Arizona<\/p>\n 1983 B.Z. Wagman Gallery, St. Louis, Missouri<\/p>\n 1982* Arizona Biennial ’82, <\/em>Tucson Museum of Art, Tucson, Arizona<\/p>\n 1981 Gallery One, Fort Worth, Texas<\/p>\n 1979-81* Miniature Fiber Arts; A National Exhibition, <\/em>One of 30 American Fiber Artists invited to participate in this exhibit which originated in Santa Fe, New Mexico <\/span>and traveled to ten sites; among them the Salt Lake Art Center, the Textile Museum <\/span>in Washington, D.C., and the Craft and Folk Art Museum in Los Angeles.<\/span><\/p>\n 1979* Arizona Crafts ’79, <\/em>purchase award & awarded an exhibit, Tucson Museum of Art, Arizona<\/p>\n 1978* Intent ’78: Fabrics, <\/em>Edinboro State College, Edinboro, Pennsylvania<\/p>\n 1977* Marietta College Crafts National, <\/em>Marietta, Ohio<\/p>\n 1976 Marna Johnson’s, Chicago, Illinois<\/p>\n * exhibits accompanied by a catalog<\/p>\n MAD Museum, New York, NY<\/p>\n Kunsthalle Szombathelyi, Hungary<\/p>\n The Karen and Robert Duncan Collection, Lincoln, NB<\/p>\n Tucson Museum of Art, AZ<\/p>\n The Dominican Sisters of Mission San Jose, CA<\/p>\n The John Wells Collection \/ Process Museum, Tucson, AZ<\/p>\n Joyce and Myron LaBan, Bloomfield Hills, MI<\/p>\n Jeffrey Spahn and Paul Bontekoe, Berkeley, CA<\/p>\n Anne-Marie Russell, Sarasota, FL<\/p>\n Dan Leach, Tucson, AZ<\/p>\n Jane Stewart Laidlaw, Chicago, IL<\/p>\n Michele A Manatt and Wolfram Anders, DC<\/p>\n Marcia and Seymour Sabesin, Chicago, IL<\/p>\n Erin Younger and Ed Liebow, DC<\/p>\n Deborah Lovely, Naperville, IL<\/p>\n Ana Tello and Jeremy Mikolajczak, Valley of the Sun, AZ<\/p>\n R Andrew Maass and Ruth Borenstein, Longboat Key, FL<\/p>\n 2021-2026, 2019 ongoing fortnightly or monthly, Living and Creating with Reverence, <\/em>Canyon Ranch, Tucson, Arizona<\/p>\n 2025 November 17 Scripps College Presidential Tour Featured Alum, Tucson Museum of Art, Arizona<\/p>\n 2023 January 31 & 2019 September 10 Guest Lecturer <\/span>Buddhist Influences on my Work <\/em>for<\/span>The Light that Sustains Us: <\/em>Exploring Art & Faith<\/em>, University of Dayton, Ohio <\/span><\/p>\n 2019 June 8 Understanding Color: Josef Albers,<\/em> Tucson Museum of Art, Arizona<\/p>\n 2019 March 16 Josef Albers in Mexico, <\/em>gallery talks & lecture, Heard Museum, Phoenix, Arizona<\/p>\n 2015 April 15 & 2014 November 20 Guest Lecturer for Love in World Religions<\/em>, University of Arizona, Tucson<\/p>\n 2014 September 6 Friends of Fiber Art International, Hardesty Arts Center, Tulsa, Oklahoma<\/p>\n 2013 February 28 & 2012 April 9 Tucson Museum of Art Docents, Tucson, Arizona<\/p>\n 2012 September 22 Textile Society of America 13th Biennial Symposium, Washington, DC<\/p>\n 2012 April 6 Guest Lecturer for Survey of Contemporary Art<\/em>, University of Arizona<\/p>\n 2012 March 9 Friends of Fiber Art International, Philadelphia, Pennsylvania<\/p>\n 2011 March 22 Pima Community College Speaker Series, Tucson, Arizona<\/p>\n 2011 September 23 Friends of Fiber Art, Massachusetts College of Art and Design, Boston<\/p>\n 2010 March 11 Volcano Art Center, Volcano, Hawaii<\/p>\n 2010 March 7 East-West Center, Manoa, Hawaii<\/p>\n 2010 March 2 University of Hawaii, Manoa, Hawaii<\/p>\n 2006 September 11 South Australia School of Art, University of South Australia, Adelaide<\/p>\n 2006 September 28 School of Visual and Performing Arts, University of Tasmania, Launceston<\/p>\n 2004 October 8 Textile Society of America 9th Biennial Symposium, Oakland, California<\/p>\n 2003 March 3-6 Apeejay College of Fine Arts, Jalandhar, India<\/p>\n 1997 October 28 Design With Heart <\/em>conference (keynote), Monterey, California<\/p>\n 1997 January 14 New Jersey Center for the Visual Arts, Summit, New Jersey<\/p>\n 1996 February 18 Center for Middle Eastern Studies, University of Arizona, Tucson<\/p>\n 1995 June 13 Seian University of Art, Otsu, Japan<\/p>\n 1993 March 6 The Loveland Museum, Colorado<\/p>\n 1990 April 27 Arizona State University, Tempe<\/p>\n 1990 April 17 University of California, Los Angeles<\/p>\n 1987 November 8 World Textile Conference, Kyoto, Japan<\/p>\n 1983 May 13 Minneapolis Institute of Arts, Minnesota<\/p>\n 1983 April 1 Miami University, Oxford, Ohio<\/p>\n 1981 November 9 University of California, Los Angeles<\/p>\n 1981 January 28 Tucson Museum of Art, Arizona<\/p>\n 1980 January 23 Ecole Nationale Sup\u00e9rieure des Arts D\u00e9coratifs, Paris, France<\/p>\n 1980 January 20 Ecole Municipale Edouard Manet, Gennevilliers, France<\/p>\n 1980 January 12 Muse\u00e9 des Arts D\u00e9coratifs, Palais du Louvre, Paris, France<\/p>\n 1976 May 7 University of Wisconsin, Madison<\/p>\n 2020 Creating with Reverence: Art, Diversity, Culture and Soul, <\/em>e-version, <\/em>Sotol Books, Tucson<\/p>\n 2012 Challenging the Politics of Creating Art in the 21st Century: An Artist\/Educator’s Perspective<\/em>, Textile Society of America, 12th Biennial Proceedings<\/span><\/p>\n 2010 Creating with Reverence: Art, Diversity, Culture and Soul <\/em>Sotol Books, Tucson. Used in university Studio Art, Anthropology, and Religious Studies courses and seminars. <\/span><\/p>\n 2008 Land, Art and the Sacred: Three Perspectives <\/em>exhibit brochure essay for the Louis Carlos Bernal Gallery, Tucson<\/span><\/p>\n 2005 Appropriation, Transformation and Contemporary Fiber Art: An Artist’s Perspective, <\/em>Textile Society of America, 9th Biennial Symposium Proceedings, Textile Society of America, Inc.<\/span><\/p>\n 1995 Wrote entries for Neda Alhilai pg. 17, Lia Cook pg.133, Kris Dey pg.154, Jane Lackey pg.321, Gyongy Laky pg.323, Nance O’Banion pg.413-14, Anne Wilson pg.582, in <\/span>North American Women Artists of the Twentieth Century; A Biographical Dictionary<\/em>, Edited by Jules and<\/span> Nancy G. Heller, Garland Publishing, Inc., New York & London<\/span><\/p>\n 1991 Our Future? Ourselves! <\/em>FIBERARTS, pgs.21,22,27. Sept\/Oct 1991, Vol.18, No.2: Asheville, North Carolina<\/p>\n 1991 Finding the Link Between Fiber and Mixed Media <\/em>pgs.39-43. FIBERARTS, summer 1991, Vol.18, No.1; Asheville, North Carolina<\/p>\n 1980 The Weaving of Rural Arab Groups in the Tennsift River Region of Morocco<\/em>. From the Far West: Carpets and Textiles of Morocco. The Textile Museum, Washington, D.C.<\/span><\/p>\n 1980 Technique, Material, Concept \/ Coiled, Raffia, Cycles. <\/em>Textile\/Art DRIADI, #14 December 1980; Paris, France<\/p>\n Isaacs, Susan “Goya Contemporary’s Thread Lines” artblog, February 18, 2025<\/p>\n Kirschner, Noelani “Claire Campbell Park” The American Scholar, April 29, 2019.<\/p>\n King, Alison “Bauhaus Celebrates 100 Years” Phoenix H&G, April 10, 2019.<\/p>\n Surdut, Beth “Woven Life” The Desert Leaf Vol 33, No 3, March 2019 pg. 68, 69, 71.<\/p>\n Regan, Margaret “Life, Interrupted” Tucson Weekly, October 17, 2013.<\/p>\n Shapiro, Barbara “Creating with Reverence” FiberArt Now, Vol 2, Issue 4, Summer 2013, pg. 7.<\/p>\n Allen, Kathleen “Small Art Works Exhibit Has Big Names, Impact” Arizona Daily Star, May 30, 2013.<\/p>\n Regan, Margaret \u201cRelationship to the Sublime\u201d Tucson Weekly, March 1, 2012.<\/p>\n Shapiro, Barbara \u201cCreating with Reverence\u201d Textile Society of America Newsletter, Volume 22, No.3, 2011 Fall, pg. 13.<\/p>\n Hart, Lyn “Review: Land, Art and the Sacred:Three Perspectives” Tapestry Topics, American Tapestry Alliance, Fall 2008 Vol 34 No 3, pg. 17-18.<\/p>\n Regan, Margaret “Community and the Sacred” Tucson Weekly, February 14, 2008.<\/p>\n Regan, Margaret “Threads of Abstraction: Painterly Weavings By Claire Campbell Park Rethink the Use of Fiber As A Medium” Tucson Weekly, March 4 – March 10, 1999, pg. 30-31.<\/p>\n Shepley, Carol Ferring “Basketry: A View From the Outer Edges” Fiberarts, Sept\/Oct 1995 Vol.22, No.2, pg. 56-57.<\/p>\n Aviks, Ilze “State of the Art: A Panel Discussion” Fiberarts, Jan\/Feb 1994 Vol.20, No.4, pg. 8-9.<\/p>\n Editorial “Fiber Art Exhibit To Go On Display” Loveland Daily Reporter-Herald, Feb. 20-21 1993 pg. 9.<\/p>\n Eakin, Judy G. “Thoughts on The Loveland Exhibition” ITNET Journal, Summer 1993, pg. 22.<\/p>\n Stanfill, Silver “State of the Art: Contemporary Fiber” ITNET Journal, Summer 1993, pg. 20-21.<\/p>\n “State of the Art: Contemporary Fiber Loveland Museum\/Gallery” Shuttle, Spindle, & Dyepot, Vol.XXIV No.2, issue 94, Spring 1993, The Handweavers Guild of America, Inc. pg. 33-35.<\/p>\n Funke, Teresa R. “Cultural Threads” Rocky Mountain News, Denver, Colorado, March 7, 1993.<\/p>\n Orban, Nancy, editor Fiberarts Design Book IV<\/i>, Lark Books, Asheville, North Carolina, 1991.<\/p>\n Kerlin, Thomas J. “Claire Campbell Park: Celebrating Color, Light, and Energy” Fiberarts, Vol.14, No.3, May\/June 1987.<\/p>\n Hutchins, Jean, editor The Fiberarts Design Book II<\/i> Lark Books, Asheville, North Carolina, 1983.<\/p>\n Lock, Donald “The Arizona Biennial ’82” Artspace, Fall 1982.<\/p>\n Thomas, Michel “Claire Campbell Park” Textile\/Art DRIADI, #14 December 1980; Paris, France.<\/p>\n Vanderberg, Jan “Miniature Fiber Arts” Fiberarts, #1, 1980.<\/p>\n Lusk, Jennie “Miniature Fiber Arts: A National Exhibition” Interweave, Vol. IV, #4, fall 1979.<\/p>\n Liss, Peggy “Marietta College Crafts National” Craft Horizons, February 1978.<\/p>\n 2025 Presented, Color Freedom <\/i>workshop, Studio light l space, Tucson, Arizona.<\/p>\n 2019 Presented two workshops, Color Explorations: Josef Albers, <\/em>Tucson Museum of Art.<\/p>\n 2017-2019 Board Member, Contemporary Art Society, Tucson Museum of Art, Arizona.<\/p>\n 2017 Organized and led four day Tucson art tour for The James Renwick Alliance.<\/p>\n 2016 Organized three day Tucson art tour for Friends of Fiber Art International.<\/p>\n 2013 Visiting artist\/lecturer\/workshop leader, Craftswomen Retreat Eureka Springs, Arkansas.<\/p>\n 2012 Curator, East\/Pacific\/West: Confluence, <\/em>Bernal Gallery, Tucson.<\/p>\n 2010 Seminar, Creating with Reverence, <\/em>FACE, University of Arizona, Tucson.<\/p>\n 2010 Panelist, Then, Now, and to Be, <\/em>SALA, University of Arizona, Tucson.<\/p>\n 2008 Curator, Land, Art and the Sacred: Three Perspectives, <\/em>Bernal Gallery, Tucson.<\/p>\n 2006 Visiting artist\/seminar, South Australia School of Art, University of South Australia, Adelaide.<\/span><\/p>\n 2005 Retreat leader, Seeing the Extraordinary in the Ordinary<\/em>, Women’s Spirituality Retreat, Newman Center, Tucson.<\/span><\/p>\n 2002 Visiting artist in residence, Apeejay College of Fine Arts, Jalandhar, India.<\/p>\n 1998 Guest instructor, Graduate Seminar in Fiber, Arizona State University, Tempe.<\/p>\n 1993 Panelist, State of the Art: Contemporary Fiber Symposium<\/em>, Loveland Museum, Colorado.<\/p>\n 1990 Chaired panel, Blueprints for Bridging Cultural Barriers<\/em>, Mid-America College Art Association Conference, Tucson.<\/p>\n 1989 Resplendent Diversity; Textiles of Morocco <\/em>Old Pueblo Museum, Tucson. I curated and designed this exhibit.<\/span><\/p>\n 1984-86 President of the Board of Directors, Tucson Visiting Artist Consortium.<\/p>\n 1982-99 Member of the Board of Directors, Tucson Visiting Artist Consortium.<\/p>\n 1981-82, 1986-88, 2013-2014 Chairperson of the Art Department, Pima Community College.<\/span><\/p>\n 1980-82 American Correspondent for Textile\/Art DRIADI<\/em>, a journal based in Paris, France.<\/p>\n 1980 Consultant for From the Far West: Carpets and Textiles of Morocco<\/em>, which opened January 29, at The Textile Museum, Washington, D.C. and traveled for two years.<\/span><\/p>\n 1978-2014 Full-time Faculty, Pima Community College, in Color, Fiber, and Basic Composition.<\/p>\n 1976-78 Teaching Assistant, Art Department, UCLA.<\/p>\n 1976-78 University of California, Los Angeles, M.F.A. Art<\/p>\n 1973-75 University of California, Los Angeles, M.A. Art<\/p>\n 1970-73 Scripps College, Claremont, California, B.A. Art<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"nf_dc_page":"","footnotes":""},"class_list":["post-155","page","type-page","status-publish","hentry"],"yoast_head":"\n
\nSELECTED EXHIBITS with two to three years of work:<\/strong><\/p>\n
\nand Nancy Tokar Miller, Bernal Gallery, Tucson, Arizona<\/span><\/p>\n
\nSELECTED GROUP EXHIBITS: <\/strong><\/p>\n
\nSELECTED COLLECTIONS<\/strong><\/p>\n
\nSELECTED LECTURES:<\/strong><\/p>\n
\nAUTHORED PUBLICATIONS:<\/strong><\/p>\n
\nARTICLES & REVIEWS:<\/strong><\/p>\n
\nSELECTED OTHER PROFESSIONAL EXPERIENCE: <\/strong><\/p>\n
\nEDUCATION:<\/strong><\/p>\n